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Young Mausi (a nickname) leaves her hometown - a very small provincetown in northwestern Germany - to live in the city of Hamburg. Being about 18 years old she has just finished school and seeks her freedom away from home. She knows she loves women but never dared to live accordingly. In Hamburg she soon finds a lover and a good friend, too, and the strength to face the narrow-minded people at home. After struggling with it for some time she returns for a visit to tell at least her mother and best friend.

Young Mausi (a nickname) leaves her hometown - a very small provincetown in northwestern Germany - to live in the city of Hamburg. Being about 18 years old she has just finished school and seeks her freedom away from home. She knows she loves women but never dared to live accordingly. In Hamburg she soon finds a lover and a good friend, too, and the strength to face the narrow-minded people at home. After struggling with it for some time she returns for a visit to tell at least her mother and best friend.

The close friendship between Arthur and Felix is put to the test when one lends the other his health insurance card. Arthur finds out that Felix is terminally ill, but Felix doesn't know it yet. However, because he doesn't have the courage to break the bad news and bitter truth to his friend, he soon becomes entangled in a web of lies and suddenly the tables are turned: Felix, who is actually terminally ill, believes that the healthy Arthur is actually going to die soon. He selflessly agrees to care for Arthur and give him a good time in the supposedly last days of his life. This actually gives Arthur a new perspective on life and Felix also starts to change: He manages to open his heart and learns to love bit by bit.

The deliberate shooting of protesters in the eye during the 2022-23 protests in Iran points to particularly perfidious systematic repression. A duo of Iranian filmmakers in exile in Berlin take this as a ground line and ask the question: “What happens when security forces aim at vision itself?” Based on this, they reconstruct narratives of images taken from social media during the protests. The film presents the search in the montage process, in which the filmmakers combine their distanced, subjective narrative with the images of the protest in order to examine the power of the images of the protest as a political construct.

Lotte has two children, an ex who doesn't pay and a job that is shaky. Meanwhile, investment banker Matthias sits alone in his luxury mansion. It takes a while for the mismatched couple to find each other. And then Matthias jeopardizes his happiness by concealing the fact that his bank is in the process of destroying Lotte's company.

Bärbel Schmitz buys her husband a shirt for his birthday. When she discovers a call for help from Bangladesh in it, a story begins that will turn Bärbel and her family's regular, conventional life completely upside down.

Maria has been living in a retirement home in Vienna for almost two years, but she is far from finished with life. She tries to break up the monotonous routine with creative ideas, much to the chagrin of the prickly home manager, who wants to manage her oldies with as little stress as possible. However, the residents are grateful for any change of pace, and former bar pianist Jakob in particular loves Maria's boisterous vitality. He keeps telling her about his East Prussian homeland and his childhood friend Paul, whom he lost sight of after the war.